Emily The Criminal Director John Patton Ford On Making A Throwback Crime Film [Interview]
If you're an Aubrey Plaza fan, you owe it to yourself to seek this movie out.
/Film Editorial Policies
/Film is one of the most trusted entertainment sites on the web, catering to the particular interests of film buffs, binge watchers, and casual fans. We cover everything from big releases from Marvel, DC, and Disney to independent film and classic Hollywood, and we do so while maintaining a firm commitment to journalistic integrity and excellence.
Our team consists of veteran entertainment editors, subject-matter experts, writers, fact-checkers, graphic designers, and beat reporters dedicated to bringing you the kinds of fresh, accurate, and exclusive scoops only a credible and trusted outlet can provide. For more information on our editorial process, view our full policies page.
Stories By Jack Giroux
-
-
Bodies Bodies Bodies Director Halina Reijn On Her Inspirations And Lighting With Cell Phones [Interview]
"This is not a classical horror film at all." -
Day Shift Director J.J. Perry Deserves A Doctorate In Crafting Action Scenes [Interview]
Perry tells us about working with Jamie Foxx and Snoop Dogg (actually, Calvin Broadus) in the new vampire-centric action thriller. -
Bullet Train Composer Dominic Lewis Wanted The Score To Have A 'Concept Album Mentality' [Interview]
"There were a couple of times when I went too far. I did this massive [Giacomo] Puccini-esque version of 'Thomas the Tank Engine' at one point." -
Prey Cinematographer Jeff Cutter On The Challenges Of Filming A Predator Movie [Spoiler Interview]
Cutter tells us all about using natural light, shooting that smoky action sequence, and much more. -
They/Them Star Kevin Bacon Is Happy To Run For His Life In Horror Movies [Interview]
Kevin Bacon is not interested in sitting around, having a conversation and eating a sandwich. -
Bullet Train Director David Leitch And Producer Kelly McCormick Were 'Full-On Mining From Jackie Chan's Playbook' [Interview]
"To be able to mimic motion or to copy motion is generally in the wheelhouse of good actors." -
Nope Sound Designer Johnnie Burn On Balancing Realism And Spectacle [Spoiler Interview]
Johnnie Burn tells us about crafting the noises for Nope's Gordy's Home sequence, creating different types of wind, and much more. -
Resurrection Director Andrew Semans Always Had That Big Ending In Mind [Interview]
Try to go into this one knowing as little as possible. -
DC League Of Super-Pets Director Jared Stern Built The Story Around Superman's Best Friend [Interview]
DC League of Super-Pets co-director Jared Stern chats about country music, evil guinea pigs, and Keanu Reeves as Bruce Wayne. -
Resurrection Star Rebecca Hall On Performing A Monologue In A Stunning Eight-Minute Long Take [Interview]
Rebecca Hall is a force of nature in Resurrection, the debut feature from filmmaker Andrew Semans. -
Resurrection Star Tim Roth Tells Us About Playing A Creep And Remembers His First Role In The Hit [Interview]
Roth also praises co-star Rebecca Hall, and tells us about finding his way into the character of David in the unsettling new thriller. -
Nope Editor Nicholas Monsour On Deleted Scenes, Avoiding The Obvious, And More [Spoiler Interview]
More Keke Palmer and Michael Wincott? We can't wait to see those deleted scenes. -
Nope Composer Michael Abels Wasn't Exactly Scoring A Sci-Fi Film [Interview]
'Music is an art that exists only in time.' -
The Gray Man Composer Henry Jackman On How He Created An Epic 17-Minute Suite [Interview]
Jackman says the 17-minute track "nearly killed" him. -
The Terminal List Creator David DiGilio Breaks Down Season 1 [Spoiler Interview]
DiGilio addresses the critical response to his new series, talks about why the Department of Defense refused to support the show, and more. -
Obi-Wan Kenobi Composer Natalie Holt Breaks Down Scoring The Show's Biggest Scenes [Interview]
Natalie Holt, who recently provided the score for 'Loki,' tells us about her work in a galaxy far, far away. -
The Terminal List Producer Antoine Fuqua Is Enjoying Creative Freedom In Streaming [Interview]
Fuqua, who also directed the first episode of the Prime Video series, tells us about whether directing for a streaming service influences his shot choices. -
The Terminal List Star Jai Courtney Is More Than Happy To Play Villains [Interview]
The 'Terminator: Salvation' and 'Suicide Squad' actor tells us about his smirking baddie on the new Prime Video series. -
Elvis Editors Jonathan Redmond And Matt Villa On Crafting Baz Luhrmann's American Epic [Spoiler Interview]
Redmond and Villa have been working with Luhrmann for decades, so they have a great sense of what the frenetic filmmaker needs. -
Elvis Music Executive Producer Elliot Wheeler On Living A Composer's Dream [Interview]
Wheeler had collaborated with director Baz Luhrmann on multiple projects already, but their work on the recently released Elvis movie stretches back to 2017. -
Rise Composer Ré Olunuga Wants To Convey The Truth [Interview]
The Disney+ film proved to be a great match for Olunuga's long-held desire to write a score in which he could explore the idea of rhythm as motif. -
Poser Composers Shawn Sutta And Adam Robl Threw A Funeral For A Fish [Interview]
Poser, a new movie about the punk scene in Columbus, Ohio, features tons of music on its soundtrack. But the score serves to contrast those tunes throughout. -
Poser Filmmakers Ori Segev And Noah Dixon Show Love For Columbus, Ohio [Interview]
Poser, which is set in Columbus, tells the story of a podcaster -
Shining Girls Creator Silka Luisa Breaks Down The Season Finale [Interview]
The showrunner tells us about the satisfying finale of the mysterious crime drama, working with Elisabeth Moss, and telling a complete story. -
Stranger Things Lead Sound Effects Editor Angelo Palazzo On The Magic Of IKEA Furniture And Vegetables [Interview]
What everyday objects did the sound team use to create some of Stranger Things season 4's eeriest noises? Read on to find out. -
Watcher Director Chloe Okuno And Star Maika Monroe On Making A Cold European Thriller [Interview]
Okuno and Monroe tell us about making a familiar type of thriller from a different perspective, utilizing sound to help tell this story, and more.
